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Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleben

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Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleben

Postby LOLtron » Mon Feb 25, 2013 11:26 am


Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleben
Stephen Bissette & John Totleben

Lycanthropy is associated with lunar cycles. The full moon exacerbates the beast within. But what happens when, instead of a traditional werewolf, we have a wolf-woman? Does the lunar cycle stimulate her in the same manner? Or does her menstruation cycle affect her bestial transformation? 

After destroying a covenant of aquatic vampires, John Contantine asks Swamp Thing to embark on another adventure. This time, however, there are no evil creatures, just a woman scorned and humiliated by her sexist husband. Alan Moore explains the practices of the native American Indians and how they used to temporarily exile menstruating women. There is a stigma associated with the female condition and the blood of the reproductive cycle. 

In the story, a husband makes fun of his wife, telling her that the Indians were smart enough to get rid off women during “that time of the month”. Moore presents a middle class couple and their middle class neighbors. Men joke around about pre-menstrual-syndrome and the infinite patience required to deal with that. Women simply set the table and clean the dishes. Have things changed after 28 years? I seriously doubt that. Men still feel more comfortable with machismo and women are still slightly discriminated in our phallocentric society. In most countries, including my own, women earn less money than men despite the fact of having the same educational background. Cases of domestic violence continue to arise, and it is still women who get injured at the hands of their husbands. Every TV ad about cleaning products keeps showing the same image: a docile housewife whose only purpose in life is to do the laundry. It’s amazing, and we’re supposed to be in the 21st century.

When “The Curse” was published in Swamp Thing # 40 (September 1985), many readers were scandalized by the story. Besides, the Comics Code Authority strictly forbade sex and all related subjects. Therefore menstruation was a taboo. Nevertheless, Karen Berger decided to publish the story anyway, and today, almost three decades later, it still remains as a justified admonition. Stephen Bissette and John Totleben drew some truly spectacular pages here, my favorite is probably the confrontation between Swamp Thing and the wolf-woman, the immobile and monstrous bodies before the struggle and the intricately detailed close up of the last two panels. 



Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleben
Against a wolf-woman / contra la mujer lobo

I would like to say that after 30 years no such thing as racism exists. But of course, if I say that I would be lying. “Southern Change” (Swamp Thing # 41) starts with the harmless arrival of a television crew. They’re filming a new soap opera in the plantations of Louisiana. Local people have been hired as extras and even Abby Arcane visits the set. However, the presence of the living greatly disturbs the dead: “What do they think about, in their beds beneath the ground? What do the dead people think about?”. Surely they remember... hundreds of black slaves, tortured, mutilated, murdered, think about their white masters. When Abby talks about the irony of having the descendants of those black slaves acting as black slaves in a TV show only to receive a meager paycheck, she asks the Swamp Thing if that is sad or funny. “It is human”, it’s his reply. The artist is again Stephen Bissette, but since John Totleben was busy producing a beautifully painted cover, the guest inker here is Alfredo Alcalá. Alfredo provides a much needed strength and rudeness to the artist’s pencils, expressing all the rage and hatred between black and white people. 


Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleben
Stephen Bissette & Alfredo Alcalá

“Strange Fruit” has one of the best initial pages I have read in my life. The skeleton of a black slave, buried centuries ago, cannot rest. He wants to yawn but he’s afraid to lose his jaw in the process, he can’t raise his hand to “rub the cobwebs” from his eye sockets. He feels the formation of fungus for fifty years, he counts the insects that walk over his bones, he names them, one by one, inventing “dynasties” of bugs, he does everything he can, but eventually he realizes that it is impossible to sleep, and he starts moving. And next to him, in the coffins of the cemetery, all the dead awake, anxious, longing for freedom: “The pain cannot be buried and forgotten. The pain cannot remain in the past or hidden beneath the soil. That which is buried is not gone. That which is planted will grow”. The result of centuries of slavery is no longer buried, and the few white men that remain in the plantations will soon fall prey of an army of living dead. Swamp Thing manages to burn down most of the zombies, but a few of them escape. In the final page, one of them “finds coffin-like comfort working the ticket booth in a grindhouse theater”, coming from another era, he feels more than satisfied making minimal wage and having no benefits or rights, his employer knows that he’s exploiting this odd looking man, but he’s so happy about finding a hardworking man that will never complain about anything. 

The penciler of “Strange Fruit” is Stephen Bissette, and his inker this time is Ron Randall. In the preface of this volume, Stephen explains that the last page of this issue made him realize something: “it still resonates with the reality of what I was living at the time. Unlike the zombie ticket seller I wasn’t happy feeling boxed in” and so after two years of non-stop work Stephen finally decided that it was time to take a rest. He would only stay until the end of the American Gothic saga. And thus begins the end of an era.  
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Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleben
night of the living dead / la noche de los muertos vivientes

La lican-tropía está asociada a los ciclos lunares. La luna llena exacerba a la bestia interior. Pero ¿qué sucede cuando, en vez de un hombre lobo tradi-cional, tene-mos a una mujer lobo? ¿El ciclo lunar la estimula de la misma manera? ¿O su transfor-mación bestial es afectada por el ciclo de la menstruación?

Después de destruir a un clan de vampiros acuáticos, John Contantine le pide a Swamp Thing que se embarque en otra aventura. Esta vez, sin embargo, no hay criaturas malignas, sólo una mujer denigrada y humillada por su esposo machista. Alan Moore explica las prácticas de los indios norteamericanos nativos y cómo solían exiliar temporalmente a las mujeres cuando menstruaban. Hay un estigma asociado con la condición femenina y la sangre del ciclo reproductivo. 

En la historia, un marido se burla de su esposa, diciéndole que los indios tenían la astucia suficiente para deshacerse de sus mujeres durante "ese periodo del mes". Moore presenta a una pareja de clase media y a sus vecinos de clase media. Los hombres bromean sobre el síndrome pre-menstrual y la infinita paciencia requerida para lidiar con esto. Las mujeres simplemente ponen la mesa y lavan los platos. ¿Han cambiado las cosas después de 28 años? Realmente lo dudo. Los hombres todavía se sienten más cómodos el machismo y las mujeres son levemente discriminadas en nuestra sociedad falocéntrica. En la mayoría de países, incluyendo el mío, las mujeres ganan menos que los hombres a pesar de contar con el mismo nivel educativo. Los casos de violencia doméstica continúan aumentando, y todavía son las mujeres las que son golpeadas por sus esposos. Todos los comerciales de televisión sobre productos de limpieza siguen mostrando la misma imagen: una ama de casa dócil cuyo único propósito en la vida es lavar la ropa. Es asombroso, y se supone que estamos en el siglo XXI. 


 
Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleben
the revenge of the black slaves / la venganza de los esclavos negros

Cuando “La maldición” fue publicada en Swamp Thing # 40 (setiem-bre de 1985), mucho lectores se escanda-lizaron. Además, la Autoridad del Código de los Cómics prohibía estricta-mente el sexo y todo tema sexual. La mens-truación era un tabú. No obstante, Karen Berger decidió publicar la historia de todos modos, y hoy en día, casi tres décadas después, sigue siendo una denuncia justificada. Stephen Bissette y John Totleben dibujan algunas páginas realmente espectaculares, mi favorita es probablemente la confrontación entre Swamp Thing y la mujer-lobo, los cuerpos monstruosos e inmóbiles antes de la lucha y el acercamiento detallado en los últimos dos paneles. 

Me gustaría decir que después de 30 años el racismo no existe. Pero, por supuesto, si dijera eso estaría mintiendo. "Cambio sureño" (Swamp Thing # 41) empieza con la inofensiva llegada de unos productores de televisión. Están filmando una nueva telenovela en las plantaciones de Louisiana. Los lugareños han sido contratados como extras e incluso Abby Arcane visita el set. Sin embargo, la presencia de los vivos perturba en gran medida a los muertos: "¿En qué piensan, en sus lechos bajo tierra? ¿En qué piensan los muertos?". Seguramente recuerdan... cientos de esclavos negros, torturados, mutilados, asesinados, piensan en sus amos blancos. Cuando Abby habla sobre la ironía de tener a los descendientes de esclavos negros actuando como esclavos negros en un show de televisón sólo para recibir un mísero cheque, ella le pregunta a Swamp Thing si eso es triste o chistoso. "Es humano" es su respuesta. El artista es de nuevo Stephen Bissette, pero como John Totleben estaba ocupado produciendo una hermosa portada pintada, el entintador invitado es Alfredo Alcalá. Alfredo provee una muy necesaria fuerza y rudeza a los lápices del artita, expresando así toda la ira y el odio entre negros y blancos. 


Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleben
Strange Fruit / Fruto extraño

“Fruto extraño” tiene una de las mejores páginas iniciales que he leído en mi vida. El esqueleto de un esclavo negro, enterrado hace siglos, no puede descan-sar. Quiere bostezar pero teme perder su quijada en el proceso, no puede levantar su mano para "frotar las telarañas" de las cuencas vacías de sus ojos. Siene la formación de hongos por cincuenta años, cuenta los insectos que caminan sobre sus huesos, los nombra, uno por uno, inventando "dinastías" de bichos, hace todo lo que puede, pero finalmente se da cuenta de que es imposible dormir. Y empieza a moverse. Y junto a él, en los ataúdes del cementerio, todos los muertos se despiertan, ansiosos, clamando libertad: "El dolor no puede ser enterrado ni olvidado. El dolor no puede permanecer en el pasado ni oculto bajo tierra. Aquello que está enterrado no se ha ido. Aquello que está plantado crecerá". El resultado de siglos de esclavitud ya no está enterrado, y los pocos hombres blancos que permanecen en las plantaciones pronto serán presas de un ejército de muertos vivientes. Swamp Thing se las arregla para quemar a muchos de los zombis, pero algunos escapan. En la página final, uno de ellos "encuentra la comodidad propia de un ataúd trabajando en la taquilla de un lúgubre cine", al venir de otra era, se siente más que satisfecho con el salario mínimo y la ausencia de derechos o beneficios laborales, su empleador sabe que esto es explotación, pero está tan feliz de encontrar a un hombre trabajador que nunca se quejará de nada. 

Los lápices de “Fruto extraño” son de Stephen Bissette, y las tintas esta vez son de Ron Randall. En el prefacio de este volumen, Stephen explica que la última página de este número lo hizo darse cuenta de algo:  "todavía resuena con la realidad de lo que estaba viviendo en ese momento. A diferencia del zombi de la taquilla, yo no era feliz sintiéndome encasillado" y así, después de dos años de trabajo sin parar, Stephen finalmente decidió que era hora de descansar. Sólo se quedaría hasta el final de la saga American Gothic. Y de este modo empieza el fin de una era.


 

Originally Published at http://artbyarion.blogspot.com/2013/02/swamp-thing-40-41-42-moore-bissette.html

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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby IvCNuB4 » Tue Feb 26, 2013 11:47 am

I'm not clear on how using naked teen-age boys in the thumbnail pic relates to werewolves, were-women, or Swamp Thing :smt017
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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby Keb » Tue Feb 26, 2013 1:08 pm

I liked Alfredo Alcala's inks on Swamp Thing. He was a great choice to fill in for Totleben and gave Bissette's work a very different feel but managed to keep the tone of the writing. His inks on the plantation story arc were great.

With respects to the werewolf/menstrual story, I don't know if you're familiar with Native North American traditions and customs, but in most hunter/gatherer societies where the emphasis is placed on hunting over gathering (strongly patriarchal), there is a taboo or bad omen associated with the menstrual cycle (or "moon sickness"). In the comic, they tie the women up in huts and I don't know if all tribes were that serious, but they would go so far as to keep the women away from hunting paths and away from the hunter's tools during the cycle. They were pretty awful.

But you covered that. What I personally found interesting is how Swamp Thing, the earth elemental, goes to deal with them. In farming societies and in some gatherer societies, the power was not really placed with men but with women who kept control of the tribe. It's interesting how farming represents growth of vegetation, a symbol of a matriarchal society, and the champion of that society is Swamp Thing aka the champion of plant life. I don't know if Moore intended that but I think the connection is pretty cool.

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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby Liam Rodgers » Tue Feb 26, 2013 5:53 pm

Keb wrote:I liked Alfredo Alcala's inks on Swamp Thing. He was a great choice to fill in for Totleben and gave Bissette's work a very different feel but managed to keep the tone of the writing. His inks on the plantation story arc were great.

With respects to the werewolf/menstrual story, I don't know if you're familiar with Native North American traditions and customs, but in most hunter/gatherer societies where the emphasis is placed on hunting over gathering (strongly patriarchal), there is a taboo or bad omen associated with the menstrual cycle (or "moon sickness"). In the comic, they tie the women up in huts and I don't know if all tribes were that serious, but they would go so far as to keep the women away from hunting paths and away from the hunter's tools during the cycle. They were pretty awful.

But you covered that. What I personally found interesting is how Swamp Thing, the earth elemental, goes to deal with them. In farming societies and in some gatherer societies, the power was not really placed with men but with women who kept control of the tribe. It's interesting how farming represents growth of vegetation, a symbol of a matriarchal society, and the champion of that society is Swamp Thing aka the champion of plant life. I don't know if Moore intended that but I think the connection is pretty cool.


Fucking Summerfolk. See what I mean, Keb?

If only they had the balls to face Winter like their Inuit cousins in the North. Oh wait, those guys probably banned menstruating women from hunting activities and coming in contact with hunter's tools too.

Hmmm come to think of it, why wouldn't a hunter want the scent of blood to accompany him or his tools when he's out hunting prey? Hey, maybe those Summerfolk are still pretty intelligent, creative and well organized even though it's to a lesser degree than their WInterfolk counterparts. You should cut 'em some slack Keb, maybe they weren't just being awful to women out of spite. :wink:

You're bang on the money with that Swamp Thing symbolism, IIRC, it's been a while since I read them though. I've got the entire Moore/Totlben Swamp Thing run on hardcover to catch up on in the back-log and this thread is another pleasant reminder.

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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby Keb » Tue Feb 26, 2013 8:52 pm

Ntikrst wrote:
Fucking Summerfolk. See what I mean, Keb?

If only they had the balls to face Winter like their Inuit cousins in the North. Oh wait, those guys probably banned menstruating women from hunting activities and coming in contact with hunter's tools too.

Hmmm come to think of it, why wouldn't a hunter want the scent of blood to accompany him or his tools when he's out hunting prey? Hey, maybe those Summerfolk are still pretty intelligent, creative and well organized even though it's to a lesser degree than their WInterfolk counterparts. You should cut 'em some slack Keb, maybe they weren't just being awful to women out of spite. :wink:

You're bang on the money with that Swamp Thing symbolism, IIRC, it's been a while since I read them though. I've got the entire Moore/Totlben Swamp Thing run on hardcover to catch up on in the back-log and this thread is another pleasant reminder.

Hunting tribes/bands were common in the Northern parts of North America, and the tribes I'm talking about exist(ed) in the Athapaskan and Arctic regions of the world.

They kept them away from hunting tools because of their lack of understanding of menstruation and what menstrual fluid actually was. If you've ever boned a woman in the red zone you'd know that it smells different from blood but us men really aren't knowledgeable to what it is. At that time, with the lack of medical knowledge they treated women like they were a bad omen treated them as lower and in many cases treated them with no dignity.

But I guess dignity is a progressive socialist concept that will eventually lead to everything becoming 1984.

In the southern cultures, their technological advancement was far superior to those in the north as the Northern tribes lived in smaller bands for hunting as it was their primary resource for sustenance. As a result, they needed to move with the food and oftentimes lived as Nomads, packing up and moving. The people in the Southern parts of North America relied on farming as their primary resource produced far more innovative and technologically advanced societies. In addition, gender roles were more or less equally balanced with both male and female roles defined in terms of resource production (for example, the women of the West Coast societies were more important because of the role they played in turning fresh salmon into food). Anyways, it's the North China vs. South China argument all over again and I'm not nearly as patient as muddyglass.

I mean, if you're hunting shit, yeah you probably don't want to bring your menstruating wife with you because she'd just stay bitching at you the whole time...

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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby Liam Rodgers » Tue Feb 26, 2013 9:01 pm

Keb wrote:Hunting tribes/bands were common in the Northern parts of North America, and the tribes I'm talking about exist(ed) in the Athapaskan and Arctic regions of the world.

They kept them away from hunting tools because of their lack of understanding of menstruation and what menstrual fluid actually was. If you've ever boned a woman in the red zone you'd know that it smells different from blood but us men really aren't knowledgeable to what it is.


Real men knows what it tastes like, Keb. Don't be scared, some girls get pretty randy after the PMS, before the flow stops. It tastes like pennies. Just like blood. She probably won't get pregnant either so it's a perfect time to make some Cherry Creampie.

But I digress...When Swamp Thing got raped was he pegged?

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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby Keb » Tue Feb 26, 2013 9:04 pm

Why the fuck are you licking blood, menstrual fluid and pennies? Seriously what the fuck is wrong with you?

More proof that progressive socialism the way of the future...

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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby bkthomson » Tue Feb 26, 2013 9:14 pm

This is an.......interesting thread?
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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby Keb » Tue Feb 26, 2013 10:00 pm

bkthomson wrote:This is an.......interesting thread?

Who the fuck licks pocket change?

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Re: Swamp Thing # 40, 41 42 - Moore, Bissette, Alcalá Totleb

Postby bkthomson » Tue Feb 26, 2013 10:33 pm

Keb wrote:Who the fuck licks pocket change?

I lost a bet once but i was six at the time.
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