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47 Ronin A Legend Moves West

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47 Ronin A Legend Moves West

Postby LOLtron » Thu Feb 20, 2014 3:14 pm

47 Ronin  A Legend Moves West

"To know this story is to know Japan."




47 Ronin

The tale of 47 Ronin is one of grand mythos, born from a true story. How much sincerity, and how much truth is up to speculation. Most westerners will likely be unfamiliar with the tale, and to be frank, after reading this version, I am somewhat upset that I have remained oblivious as long as I have.

It is the tale of a kindly lord, with a short temper, and no flair for courtly protocol. His honor bruised among his noble peers, via goading and his own personal ignorance, he is corralled into social taboo, and ordered to take his own life. His death is one forced in a manner far beyond custom and is tainted with the stench of betrayal and subterfuge.

His retainers, hundreds strong, are bound by honor to avenge their master, and 47 take to the task.
The graphic novelization was undertaken by some of Dark Horse’s heaviest hitters, as founder Mike Richardson, personally drove this book into production, and undertakes writing duties. The characters, mood, and flow of this entire book is one of sincere reverence.

The pacing is patient, the characters feel grounded in reality, and there is this alien other worldness that, for a westerner, must be felt. The reader glances through a foreign lens as the tale progresses, and though custom and culture may feel somewhat alienating, the writing is approachable, and the tale does manage to invoke a sense of empathy with characters from beginning to end. The story, though lashed together by a basic plot, is reinforced and tempered in the development of believable characters, vicious and noble alike.

The art duties, taken on by Stan Sakai are powerful and direct. Every person, every scene, is crafted with a sense of purpose. No scene feels like filler, and there is no sense that the story is ever stalling for time or traction. Sakai’s ability to invoke feudal Japan has been time tested, and again rings true. There are few artists that come to mind that would be able to undertake such a task, and manage to stride through the work with such grace.

The letter, the coloring, the editing, it feels like the entire book comes together organically, and gels into a seamlessly woven narrative.

In summation, this is the rare comic that does invoke a sense of whimsy and awe. Pens, pencils, edits, and dialogue, nothing feels out of place. This is a book worth your time and investment.

5 out of 5.
 



Written or Contributed by CajunBean


READ THIS ARTICLE ON THE FRONT PAGE, HUMANS!
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Re: 47 Ronin A Legend Moves West

Postby The Beast » Thu Feb 20, 2014 6:08 pm

Thanks For Nothing, Dark Horse: The 47 Ronin Travesty


"Dark Horse Comics has accomplished much in its 25+ years of operation. It was one of the pioneers in allowing writers and artists to retain control of their original characters. The company wasn’t afraid to feature stories that tackled socially touchy issues or expressed unpopular viewpoints, and helped to transform comics into a medium for adults as well as children. They’ve also helped bring many of Japan’s most popular manga series to American shores. So when we heard that company founder and President Mike Richardson was going to be writing a series about the 47 Ronin, that extensive research had been done for it, and that it would be as historically accurate as possible, we were quite happy with the prospect. This began to dim when Stan Sakai was brought on board to illustrate the series, as his work is influenced far more by chanbara and manga than history. Still, Sakai has a real love for Japanese culture and has used his “Usagi Yojimbo” series to bring that love to his fan base and help spark interest among them for all things Japan. But now that the first issue of Dark Horse’s “47 Ronin” has been released, it’s obvious their ‘meticulously researched’ comic that was ‘as historically accurate as possible’ has turned out to be a big joke at the expense of their readers. It bears as much resemblance to the historical events as the Tom Cruise film “The Last Samurai” does to the life of Saigo Takamori.

But before we pull the wings off of Richardson’s and Sakai’s sloppily researched farce, a couple of caveats. First, we’re not addressing the artistic merits and entertainment value of the book. If you just plan on reading the book to be entertained or to enjoy Sakai’s art, feel free to stop reading here-just be aware it’s a fictional account and has little to do with the historical event. But if you thought you were getting the real story or want to hear how wrong Dark Horse got it, read on. If Richardson and Sakai were writing an adaptation of the Chushingura plays and movies, we would have no problem with the comic. We own about 20 different films based on Chushingura and enjoy them all (especially 1994’s “Chushingura Gaiden Yotsuya Kaidan”-check it out if you can). But instead, they marketed their book based on the claim that it was an accurate representation of the historical events based on years of exhaustive research, and that’s simply a lie. They’ve lied to their readers, the majority of whom have little knowledge of the Ronin and have placed blind trust in the two to deliver on their promise-for example, this blurb from Comic Book Resources:

“…Richardson and "Usagi Yojimbo" artist Stan Sakai launch "47 Ronin" -- a five-issue miniseries that tells a historically accurate account of warriors who laid in wait two years to avenge the tragic death of their master only to take their own lives to be buried beside him. One of the most famous stories in Japanese history, the story of the 47 has been mythologized and retold countless times over the centuries, but with this series Richardson and Sakai hope to bring Western comics its first accurate, intensive adaptation.”

By the end of this article, not even the most diehard Richardson/Sakai supporters will be able to claim that the two worked hard to get things right.

Second, there are a lot of aspects of the 47 Ronin story that are open to debate. What was Asano’s motivation for attempting to kill Lord Kira? Were the Ronin operating out of loyalty or looking to win positions with new clans by their ‘demonstration’ of loyalty? Was the vendetta really in keeping with Confucian thought (the scholars of the day were split on the matter)? Was this a stellar display of samurai loyalty and honor or just a spiteful feudal drive-by carried out by a group of thuggish murderers? These and many other questions can be debated until the end of time without any concrete answers. But in this article, we’re not going to bother with addressing anything that is open to debate. Instead, we’re only going to stick with factual issues-issues that are spelled out in contemporary documents, eyewitness accounts, official reports of the Shogunate, the Ronin’s writings while in captivity after the assault on Lord Kira’s mansion, and the like. Everything here will be just the most basic facts that even an amateur historian with no prior knowledge of the event would have been able to get right with a few hours of research. Why didn’t Richardson and Sakai? We don’t know. Apparently all their so-called ‘research’ was based on the Chushingura puppet and kabuki plays along with movies based on the plays, or perhaps from reading early English language accounts of the incident that mistakenly accepted the fiction of Chushingura as fact. All of the facts you are about to read can be easily verified in most any Japanese language book on the Ronin published in the last 20 years, or in the following English language sources.


“THREE HUNDRED YEARS OF CHUSHINGURA" series in Monumenta Nipponica, 2003-06-Monumenta Nipponica is one of the most well respected academic sources on Japanese history, and their series of articles from 2003-2006 dealing with the 47 Ronin was groundbreaking, representing the first concentrated effort in the West to look at the real history behind the Chushingura legend

Beatrice Bodart-Bailey-“The Dog Shogun”-this examines Shogun Tokugawa Tsunayoshi and the falsehoods that sprang up about him. It also contains a chapter on the 47 Ronin that does an even better job of deflating the legend than we do

Stephen Turnbull-“The Revenge of the 47 Ronin”-probably the best single book devoted to the 47 Ronin, inexpensive, loaded with pictures, and readily available

Andrew Rankin-“Seppuku”-an excellent section on the Ronin with much of the latest scholarship, including the fact they didn’t commit seppuku

Professor Henry Smith-the West’s most notable 47 Ronin scholar, his homepage on the Columbia University website is a gold mine of Ronin resources and articles


So let’s get to it. On page 2, we’re introduced to Murakami Kiken, the ‘Satsuma Man’. No doubt his backstory will be revealed in future issues, but basically in the Ronin legend he’s a samurai who ran across the leader of the 47 Ronin, Oishi Kuranosuke, in Kyoto. Oishi was passed out drunk in an alley, part of his alleged ‘acting drunk to camouflage his intentions’ act (more on that later). A man from Satsuma province stumbled across him and became thoroughly disgusted, berating Oishi at length and telling him he was a disgrace and unfit to be a samurai. Months later Oishi led the attack on Lord Kira’s mansion. The Satsuma man realized his mistake and became stricken with grief that he had maligned such a fine example of samurai virtue-hence his attempts to atone at the Ronin’s graves pictured here. The problem is-the Satsuma Man never existed, as least as far as the Ronin were concerned. This was a case where an historical account (from a few years prior to the Ronin’s assault) that had nothing to do with the Ronin was grafted onto the tale years later by playwrights for dramatic impact-just like Richardson and Sakai do here, it makes for a great framing device to tell the story. But the real Satsuma man never met Oishi, never visited the Ronin’s gravesites, and his particular story took place years earlier. So scratch the Satsuma man.

Page 6-a minor quibble is that Kiken would not be referring to Emperor Higashiyama by his posthumous name while he’s still alive-he would have used “Asahito”, if indeed he used a name at all. We’ll give the comic a pass on this as that’s pretty esoteric.

There’s a charming interlude on pages 7-13 where Naganori Asano, daimyo of Ako han and the man who eventually will assault Lord Kira in Edo castle and spark off the 47 Ronin Vendetta, spends some quality time with his young daughter and wife before departing for the big city. Cute kid. Nicely illustrated touching scene. Total fiction. How do we know this? Asano’s wife and child wouldn’t be expressing regret on Asano leaving Ako for Edo. That’s because they’d BE in Edo. As part of the Shogun’s Sankin Kotai (alternate attendance) policy, a daimyo’s wife and young children were required to live in the capital city of Edo (symbolic hostages and a guarantee of good behavior by the daimyo). The comic even MENTIONS Sankin Kotai, but Richardson/Sakai apparently don’t realize its ramifications. So, we can strike all of this from the record.

And that Asano-wow, he’s something. The comic portrays him as a compassionate family man, a man of many talents, an admired lord, a talented administrator of his lands, and the personification of idealized samurai virtues. Was he? Well, there just happens to be an excellent account of Asano’s behavior and character in the “Dokai Koshuki”, a report prepared in the 1690’s by agents of Shogun Tokugawa Tsunayoshi concerning the lives and behavior of 243 daimyo (and prepared long before Asano’s assault on Kira in Edo castle). Asano seems to have been regarded with distaste by many of his peers, and indeed seen as a hothead. The report compliments him on his intelligence and strict punishment of offences within Ako domain, but after that it’s all downhill. The report derides him for "sexual profligacy” and also notes that he sunk to promoting and rewarding retainers based on their ability to procure attractive women for him (and otherwise feed his ego). It notes that he was "only concerned with his personal amusement" and left the government of his domain in the hands of his servants.

The report calls his retainers (Oishi Yoshio-more on him soon-being one of these) to task for the poor job they had done and brands them as disloyal for not having trained Asano properly. Asano is noted for possessing neither literary nor military skills. It appears that the chief retainers of the Asano feared losing their positions of authority within the clan and did their best to ensure Asano occupied himself primarily by indulging his libido (leaving the direct control of the clan to them). He had no children until late in life, and then only as a result of a 1694 illness that almost killed him. Without an heir, his clan would have had to forfeit their lands, so clan elders convinced him to have children (although by this time Asano had adopted his younger brother and named him heir). However, the lecherous lord continued to party like it was 1799 and continued his wastrels’ ways. So Asano was certainly no devoted family man. He had no real talents to speak of, neglected the running of his fief, and was the subject of ridicule by his contemporaries in Edo. This ridicule increased after his failed assault on Kira, where his swordsmanship and inability to kill an old man he had attacked from behind was mocked in a popular song that made the rounds of Edo at that time. In effect, Asano was much like an Edo period drunken frat boy and the ‘Brick McBurly of his Day’.

In the garden interlude we also meet Oishi Yoshio. The comic refers to him by his title, Kuranosuke-either name is fine. Yoshio is shown as a serious and capable retainer. In a conversation with Asano, Yoshio cautions him about all the drinking, gambling, corruption, and excesses to be found in Edo. He stresses that Asano must keep his mind firmly on his duties and returning home to his family without incident. Now, given Asano’s predilection for drinking and whoring, the whole idea of Edo probably looked pretty damn good to him-a daimyo ‘Spring Break’, so Yoshio’s speech comes off as somewhat humorous. There also would have been no reason for a speech like that. Remember the Sankin Kotai policy? Asano would have already been in Edo many, many times, spent virtually half of his adult life there, and would be very familiar with the conditions inside the city and Shogun’s court.

And Oishi was pretty much Asano’s match in the arena of partying. As Andrew Rankin lays out in his book “Seppuku”, “Today an untouchable hero, he was not always known for brilliance. As a young administrator he was nicknamed ‘daytime lantern’ (hiru-andon); in other words, he was useless. He was not good with money, and needed assistance from senior retainers when handling anything financial. His first talent seems to have been for heavy drinking”. He was also one of the vassals condemned by the “Dokai Koshuki” for neglecting Asano’s training and keeping him distracted by supplying him with women. Oishi was the mastermind of a plan where clan leadership issued devalued currency in order to boost their treasury. When the fief was confiscated as a result of Asano’s attack, everyone stuck holding this currency lost half its face value. While this won’t show up in the comic for another couple of issues, after becoming a ronin Oishi was supposed to have put on an elaborate act by consorting with prostitutes and Geisha, getting drunk every single night, and using the remnants of the clan treasury to finance it all. This was supposed to have been a ruse to convince anyone watching he had no intention of taking revenge on Kira. However, it’s far more likely he was just picking up where he left off-it was certainly no act-perhaps his title should have been Kusanosuke.

Finally, the comic moves to Edo and we meet Kira. There are a couple of minor cultural issues on Pg. 14-one of Kira’s retainers knocks on the shoji to gain entrance, whereas he would never do anything so rude in real life. He’d be announced by a bodyguard sitting outside. Sakai also renders Japanese books incorrectly, giving them a covered spine like Western books would have. No big deal, really, but just indicative of the proceedings.

Here it would probably be useful to explain the Japanese tradition of gift giving. The comic presents it as a ‘bribe’, corrupt and beneath a real samurai. However, gift giving was (and STILL is) a very important aspect of Japanese society. It was a big part of the samurai lifestyle. As Beatrice Bodart-Bailey explains in “The Dog Shogun,” ”Then as now in Japanese culture it is a form of payment for services rendered or hoped for where no formal system of remuneration exists”. In the comic, Asano at one point bluntly tells Kira that “…let ME be clear…under no circumstance will I pay a bribe to you or any other man”. But let US be clear-you can bet in real life he did, and often. And no one would have seen it as being inappropriate or out of the ordinary. One aspect of the Ronin legend that has consistently amazed us over the years is that no one seems to realize that Asano, as lord of a wealthy province, would constantly be receiving elaborate and costly gifts-or bribes-from vassals, merchants, and others seeking favor with him. So if you want to characterize gift giving as bribes and corrupt, you can start your list alphabetically with Asano.

But on to Kira-Kira Yoshinaka, according to the comic. But Richardson/Sakai haven’t done their homework here either, since his name is actually Kira Yoshihisa. A letter written in 1703 specified this, and Kira’s own stylized Kao signature preserved at Kezo Temple confirms it. Either way, the comic has him as the most unpleasant, corrupt, grasping and arrogant individual this side of Snidely Whiplash. And once again, they’re wrong. For starters, no evidence exists that Kira demanded a bribe from Asano, that Asano refused him, or that it was the motivation for Asano’s attack. None. Zero. Ziltch. Everything that purports otherwise is a fictional account written years after the fact. There is nothing in Kira’s record to suggest he was anything but what he appeared to be a-a rather typical Edo period bureaucrat who did an excellent job in the performance of his duties. Far from being greedy, he seems to have been quite generous. While not a daimyo and hence not responsible for a fief, Kira made large unsolicited contributions for public works in the area near his country mansion. Kira was certainly no heroic figure, as evidenced by trying to escape Asano’s assault and not attempting to defend himself (something that made him a subject of derision from his contemporaries). Still, Kira was no villain. He was made into one because (Bodart-Bailey again, speaking on the vilification of Kira at the hands of playwrights) “Lauding the slaying of Kira meant praising an act of breaking the law. Hence Kira’s vilification was necessary to justify such illegal behavior as being provoked by an even worse state of affairs”.

Why, then, did Asano attack him? Certainly there had to be some reason. But the cold, hard truth is that no one knows. Asano refused to tell anyone the reason, and only he knew it. This indicates that divulging the reason would cause him to be seen in an even more negative light. Stephen Turnbull’s “The Revenge of the 47 Ronin” gives a very likely scenario. "By 1701 the 60-year-old-Kira Yoshihisa had served successive Shoguns as a loyal and utterly reliable master of court ceremonies for about 40 years. It was a role that required minute precision to detail and the ability to organize with clockwork precision. A man in that position, one can safely assume, did not suffer fools gladly. When faced, therefore, with having to instruct in etiquette a young daimyo to whom court ceremonial was much less interesting than court ladies, and a man who appeared ignorant of the most basic learning and yet enjoyed an income 11 times greater than his stuffy old teacher, Yoshihisa's self-control was to be tested to the limit". Asano would very likely have been reprimanded sternly by Kira for slackness in his studies, and it’s very easy to imagine he would have chafed and done a slow burn over it, resulting in his backstabbing ambush of Kira. In all fairness, it has to be pointed out that this is also just idle speculation-however, it’s speculation that makes more sense than the Chushingura version.

And then there's Kamei-sama-or since Richardson/Sakai seem to think ‘Sama’ is a name and not the honorific suffix it is, Kamei Sama. In the comic, Kamei is an even bigger hothead than Asano. He’s always wanting to protect Asano’s honor and reaching for his sword to attack Kira, but always talked down by Asano. Luckily for Kamei, his vassals, unknown to him, have given that evil ‘ol Kira the bribes he craves-so he’s in Kira’s favor. Now, historically, Kamei-sama is quite important. He’s important because any 47 Ronin account that contains him can easily be relegated to the realm of fiction. You see, there was no Kamei-sama assisting Asano. No, Kamei Korechika, the lord of Tsuwano domain in Iwami province, had held in 1698 the position Asano held in 1701. Historically, assisting Asano was Date Muneharu (also known as Muratoyo), the daimyo of Yoshida han in Iyo province. So we can also scratch Kamei Sama from our august proceedings.

We can also discount the story of Kamei’s vassals gifting Kira without their Lord’s knowledge. This fictional account first appeared in a Chushingura play almost 50 years after the fact in 1748, and was said to have taken place in 1698 when Kamei really was under Kira’s tutelage (but of course, there’s no documentation for it-even the Kamei family records fail to mention it). Further betraying its bogus nature, the incident with Kamei-sama was quickly moved by various works of fiction to 1701 and replaced Date Muneharu to give the episode more impact.

Kira’s evil nature is further underlined on page 19 when Kira ‘reminds’ Asano he needs to replace 200 tatami mats in the receiving hall by tomorrow. The dastardly villain had earlier told Asano they didn’t need to be replaced, but that was before he didn’t get his bribe, y’know. So Asano is faced with a seemingly impossible task (which humorously causes Kamei Sama to reach for his sword again), but Asano’s such a tremendously talented administrator and inspires such confidence in his vassals, and yes, even the little men that make tatami mats, that he pulls it off. You know where this is going, don’t you? Yep-another totally fictional episode, presented most memorably in Inagaki Hiroshi’s 1962 film version of Chushingura (where 500 mats needed to be replaced and only accomplished by having an Asano vassal substitute himself for a matmaker in a drinking contest). It’s a beautiful, well done and stirring movie, but it’s also a work of unadulterated fiction.

But for real jaw-dropping, stupefying, “what orifice did they pull this out of” impact, nothing can top the account of Asano’s actual attack on Lord Kira detailed on pages 22-26. Here’s the Dark Horse version. Kira enters a room full of assembled dignitaries and thanks them all for their hard work. Everyone, that is, except for Asano, who he (among other pleasantries) calls ‘less gifted, ‘less able’, a lousy listener who does lousy work, and an embarrassment. Our old friend Kamei-sama goes to draw his sword to stick up for his pal but is dissuaded by the stalwart Asano. As Asano exits the room, Kira can’t resist a parting shot and calls him a stupid country farmer. NOW Asano draws his sword and charges Kira, but drops it and apologizes profusely when Kira reminds him of the consequences of drawing his sword in the Shogun’s castle. Well, that mean ol’ bastard Kira walks right up to Asano and kicks him in the face, then strolls off chortling and heaping more verbal abuse on him! Asano throws his short sword at Kira to get his attention, burying it in the woodwork next to his head. Then he pulls his long sword (Sakai mistakenly portrays all the samurai wearing two swords, whereas indoors they would only be carrying their short sword) and charges Kira, wounding him in the face. Other samurai restrain Asano while Kamei Sama bleats out a protest (he’s quite the busybody for someone who didn’t exist). Asano calmly tells Kamei to stand down and stoically states he will accept the consequences of his actions. Hoo-boy. We’re surprised Kira wasn’t shown dancing a celebratory jig from “Riverdance” as Asano was escorted out.

Now, as it happens, there exists an eyewitness account of Asano’s assault. It was written by one Kajikawa Yosobei, who was a supervisory official in the Ooku (the women’s quarters of Edo Castle). Yosobei was chatting to Kira regarding rescheduling the giving of gifts from the Shogun’s consort to the Emperor’s representatives. Here’s his account of the attack: Asano appeared from nowhere, began screaming, and attacked Kira from behind, slightly wounding him in the back. Shocked, Kira whirled around to face Asano, began to back pedal, and was slightly wounded again on his face, causing him to fall to the ground. Kajikawa restrained Asano. The other samurai in the room came to Kajikawa’s aid and drug Asano into the Willow Room, with the daimyo of Ako screaming the whole time.

Now tell us-

1) If you claim to be writing a historically accurate account, how in the world do you totally ignore the ONLY EYEWITNESS ACCOUNT OF THE ASSAULT?

2) Even worse, why would you come up with an alternate universe where VIRTUALLY NOTHING happens the way it did? The Dark Horse account is even more fanciful than the most hero-worshipping of the 47 Ronin films or plays.

3) Asano sure sounds like a psycho, doesn’t he? Lousy swordsman, too, just like the Shogunal report said.

Ironically, the book ends with Kamei-sama stating “I fear this can only end badly”. He’s certainly right if he’s talking about the comic series.

For most of this stuff, we put the onus on Richardson as he’s the writer. However, Sakai has more than his share of culpability. Let’s take a look at a single panel-the nice looking splash page featuring the Shogun’s Palace (actually the Shogun’s Castle) from page 13. It contains a multitude of cultural and historical errors ranging from the minor to ridiculously obvious. For starters, Sakai has town buildings and shops located directly outside of Edo castle’s walls. This is incorrect-there were daimyo mansions ringing Edo castle’s outer walls, part of its defense plan. And even they wouldn’t have been next to the walls-the castle had (still has) massive moats. Sakai has the walls with gun loopholes that were built out of plaster constructed out of stone instead. He has the tenshu of Edo castle right next to the outer walls when it would have been located far, far beyond them with a maze of enclosures and other buildings in between. He has the Edo Castle tenshu rendered as a double structure (much like the current versions of Odawara or Nagoya castle) instead of the single five story structure it was. But that really doesn’t matter, because in 1701 EDO CASTLE DIDN’T HAVE A TENSHU. It burned down in the great Edo fire of 1657 and was never rebuilt. Sakai does state in an interview given for the book that “I learned that that part of the castle has burned down twice since this (Asano’s assault on Lord Kira) happened”, but it appears he was talking about the Hall Of Pines and not the tenshu. Sakai later goes on to add that “most of it I just made up”. He also states that “The 47 were ordered to commit seppuku by the Shogunate, and they did it at Sengakuji Temple.” In fact, only 46 were sentenced to death and only one of them committed seppuku, the rest being beheaded in mock seppuku ceremonies. And NONE of their deaths happened at Sengakuji Temple (hard as it is to believe ;) , Buddhist temples aren’t particularly happy being used as execution grounds), but at the four separate daimyo mansions they were being held in. So much for Sakai’s self-styled rigorous research ethic and “tremendous research library”. While Sakai does seem marginally better informed than Richardson about the actual history of the Ronin, for some reason he didn’t feel the need to let Mike in on the secret. Why? Probably because he had little interest in sticking to a historically accurate representation of the Ronin, wanting instead to do a standard jidaigeki-fueled fantasy treatment.

We’re not going to be reviewing the last four issues of this series-frankly, our heart wouldn’t be able to take the strain and our head would explode. But here are a few fearless predictions of what you’ll probably see (FANTASY) followed by what really was (FACT):

FANTASY: The Ronin will invade Kira’s heavily fortified fortress, swarming with elite guards and booby traps. They take great care to spare innocent servants. Even though heavily outnumbered, they’ll decimate the opposition and ferret out Kira’s spider hole.

FACT: Kira’s mansion was just a standard Edo period hatamoto mansion-no traps, no fortifications other than an outside wall that they all had. The Ronin outnumbered Kira’s guards by anywhere from 2-1 to 16-1 (depending on what account you believe-2-1 actually seems the most likely). They slaughtered several household staff. They did, however, decimate the opposition and ferret out Kira’s spider hole. Having armor and arms and being awake when your enemy is sleeping, unarmed, and unarmored does that.

FANTASY: Terasaka Kichiemon, the 47th Ronin will after the assault be ordered by Oishi to carry news of their success to Asano’s widow. Terasaka this way avoids being sentenced to death with the other 46.

FACT: Terasaka was ordered to leave the group right before the raid, not to inform anyone of anything but rather because the Ronin as a whole decided his rank was too low for him to be part of the group. This is borne out by the Ronin’s own writings while in captivity and awaiting sentencing. He did indeed avoid their fate. There’s an excellent episode of the TV drama ‘Abarenbo Shogun’ where Terasaka royally rips the Ronin and Asano for not thinking of their families and vassals when pursuing their violent goals.

FANTASY: It will be gleefully reported that Kira’s grandson, Yoshichika, was forced to commit seppuku for not having successfully defended his grandfather (despite incurring several wounds in doing so). The Uesugi family (Kira’s relatives by marriage) will be said to have had its domain cut almost in half for not sending troops to attack the Ronin at Sengakuji Temple after the raid.

FACT: The document this was based on has been shown to be a forgery prepared much later. Instead, Yoshichika was banished to Kai province and the Kira family lost its hereditary position as ‘Master Of Shogunal Ceremony’. They later regained their hatamoto status but didn’t regain the office, as it was now the hereditary post of another clan. Nothing happened to the Uesugi clan. The last thing the Shogunate would have wanted was to have unsanctioned warfare and chaos break out on the streets of Edo.

FANTASY: The Ronin will be shown stoically and heroically performing seppuku (ritual suicide). It seems Sakai plans to have this happen at Sengakuji.

FACT: As we outlined above, the deaths of the Ronin occurred at the four separate daimyo mansions they were being held at. Only one of the 46 actually committed seppuku. The remaining 45 were beheaded in mock seppuku ceremonies. This is borne out by the official accounts given by the presiding officials at each mansion. Now, given that the comic is pure fantasy, that Koike Kazuo is listed as an editorial consultant and he’s the creator of “Lone Wolf And Cub”-wouldn’t it kick ass to have Shogunal Executioner Ogami Itto carrying out the executions ? It’d be worth picking up just for that.

So thanks for nothing, Dark Horse. You had a chance to live up to your reputation and help bring the real story of the Ronin to a mass market audience. Instead, you couldn’t even keep the promises of historical accuracy you made in your press releases and gave thousands of readers a fantasy account that they’ll believe because you told them they can. Richardson and Sakai should be ashamed of themselves. If as they claim they truly believe in the virtues that the fantasy version of the Ronin represent (like honor and personal responsibility) they’d at least put a disclaimer on the inside cover of future issues that declares their adaptation is based on the Chushingura plays and movies and not on historical fact. Even a cad who’s as evil, corrupt, and jaded as say…the historical Asano would think that’s fair.
"

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Re: 47 Ronin A Legend Moves West

Postby S.F. Jude Terror » Thu Feb 20, 2014 6:41 pm

TL;DR
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Re: 47 Ronin A Legend Moves West

Postby The Old Doctor » Thu Feb 20, 2014 7:58 pm

A summation for those not wanting to read either the article nor the first response.

CajunBean - "I liked 47 Ronin the comic from Dark Horse. Brilliant stuff."
The Beast - "You are wrong and this is why... and why... and why....... and why....why... so wrong... Herald...why..."
"Why are you pointing your screwdrivers like that? They're scientific instruments, not water pistols."
"Oh, the pointing again! They're screwdrivers! What are you going to do? Assemble a cabinet at them?"
"Are you capable of speaking without flapping your hands about?"
""Timey" what? "Timey wimey"?"

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IvCNuB4 wrote:The Old Doctor is Cat-Scratch ?
Well that explains a lot :lol:

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Re: 47 Ronin A Legend Moves West

Postby oogy » Thu Feb 20, 2014 8:12 pm

I thought the comic was great.

If I'm looking for historical accuracy, a 5-issue comic book won't be my go-to.
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Re: 47 Ronin A Legend Moves West

Postby AngusH » Thu Feb 20, 2014 9:09 pm

I've been reading Japanese history for about 15 years now - mostly pre-16th century, but a bit of Sengoku/Edo too. I avoid just about every modern samurai movie/book/comic because I end up sitting there sighing and tsk tsk'ing at every 'valiant, loyal Bushido warrior' moment.

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Re: 47 Ronin A Legend Moves West

Postby TimH » Sat Feb 22, 2014 12:26 am

Yeah, Image published a five issue mini-series a few years back (issue #1 debuted for a much-hyped $1 bargain price).

The writer had studied Japanese history, lived in Japan as a student, et cetera, et cetera. In his intro, he discussed how this series was his answer to a historical Japanese comic.

And.....

The mag starred a blonde-haired samurai (colorist mistake? the mag never addressed whether he was a foreigner, or what), his ninja-geisha sister, and tons and tons of ninja, yakuza, and sword-and-sandal lines.

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Re: 47 Ronin A Legend Moves West

Postby SuperginraiX » Sat Feb 22, 2014 9:19 am

You know what else isn't historically accurate?

300.

You are welcome.
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Re: 47 Ronin A Legend Moves West

Postby TimH » Sat Feb 22, 2014 11:00 am

SuperginraiX wrote:You know what else isn't historically accurate?

300.

You are welcome.


There are some comics that give you a more historic feel than others. Like Kozure Okami (Lone Wolf and Cub). Its action scenes and ninja escapades were completely over the top, but the settings were pulled from history, with short explanations by the writer, such as the boatmen at river crossings, the fire fighter brigade in Edo, monk practices at the roadside shrines. Etc. And Eric Shanower's Age of Bronze has an eye for a historical feel--even though the setting is ultimately fantasy.

What I'm saying is that some comics do it better than others. When the comic claims to be "carefully researched" but doesn't read that way, the reader feels let down if he was drawn to the claim of careful research.

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