S.H.I.E.L.D. #2 - 'Newton's Theory Of Eternal Life' - Hickman, Weaver and Strain
Story - I don't know if I'm just stupid or what, but I was really bloomin' confused by this issue. I mean, I enjoyed it, but not really sure why, and I don't even really know what happened.
Leonid chats with Leonardo Da Vinci, who spews out a lot of nigh-incomprehensible buzzword speak, which sounded fucking cool and interesting, but I'm not even sure if it actually is. We had some weird backstory for Leonid, where he's with alien lizards, and a Light Man, and a Dark Man and something else.
The Dark Man fights Iron Man and Mister Fantastic's dads, stuff explodes, I assume something happened with alternate realities and some-such and he disappears.
Leonid and Leonardo chat some more, and for some reason there's a page with just their dialogue. Did Dustin Weaver forget to draw that page or was there some reasoning behind it? It seems that the current Shield hierarchy are not living up to Da Vinci's high standards and he wants to bring them back to the right way. The end.
I'm not going to say that this was a bad comic, as I said I enjoyed it, but it made little to no sense, almost every line of dialogue brought up a new massively significant high concept, and there was still very little character development of anyone, Leonid remains as dull as Hal Jordan here.
I mean, it's a lot of fun, and it seems very clever, but at this point to me, this book is all surface, all style, no substance. You've got all these out there proclamations about the Human Machine, and change, and the Forever Man and 'global projections of ideology', which all sound great... but I don't particularly care. Maybe I'm in the wrong frame of mind here, but something's missing which I can't quite put my finger on. I'm willing to stick around though, because this book is a fun ride, and I am truly hoping that by the time Hickman wraps this whole thing up, the gobbledegook that Da Vinci is mouthing off on will retroactively make sense. But at this point, I'm just looking at the thing, bemused, confused, and slightly scared. Yet I still had a good time. An odd one.
Art - Dustin Weaver is pretty great, aside from the random page of just dialogue, I love his work, and think this run will make him a star. Christina Strain's colours are also due some props, she really adds a lot to Weaver's pencils. Even if the story befuddled me, I can still look at the pretty pictures.
Best Line - 'This is what I do Leonid. I see the structure of things and how best to make them work. I am an Architect of everything'.