by Eli Katz » Thu Oct 28, 2010 7:19 pm
Ed Brubaker and Sean Phillips cover familiar territory in INCOGNITO: BAD INFLUENCES #1. A super-powered mole, Simon Slaughter, has turned native and become a top-ranking member of Level Nine, a fanatical terrorist group that he was supposed to infiltrate and undermine. Several agents have been sent to make contact with Slaughter and bring him back to the good guys. But all of these agents have failed to return. Authorities decide that Zack Overkill, the conflicted antihero from the first INCOGNITO miniseries, should be sent to meet Slaughter. Zack is still regarded by many as a criminal figure, and therefore may have better chance of contacting Level Nine than legitimate heroes. Zack’s hardly thrilled by the order and senses that this may be a suicide mission.
The setup in this opening issue is fast and efficient. This is a bullshit-free book, with no unnecessary double-page spreads. Brubaker and Philips open up with a bang and blend exposition and action with incredible competence. There isn’t a boring panel in the book. But there sure are a lot of familiar ones. Indeed, this story has clear similarities with SLEEPER -- Brubaker and Phillips’ outstanding series about a super-powered mole with mixed loyalties. But Bru is not only recycling his own ideas here, but he is also borrowing generously from Joseph Conrad. BAD INFLUENCES is essentially a retelling of HEART OF DARKNESS, where Zack is the Marlow figure and Simon Slaughter is the lunatic Mr. Kurtz. As well, this book finds much inspiration from pulpy 1930s adventure stories that the first INCOGNITO series drew upon. Almost every character, for example, has a cheesy alliterative name, like Simon Slaughter or Zoe Zeppelin.
So, is this a problem? Is the book too derivative for its own good? To be honest, I’m not sure. It will all depend on how Brubaker develops this story in subsequent issues. Will he twist and turn and rework all these clichés in exciting ways? Or has he incorporated too many clichés here and made it impossible for himself to produce anything of originality? We'll see, I guess.
But despite the many clichés, the pacing of the story is so fast and the art is so sharp that BAD INFLUENCES #1 is definitely worth checking out.
STORY: 8/10
ART 8.5/10
OVERALL: 8.25