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Scott Pilgrim vs The World

Scott Pilgrim vs The World

By Greg Anderson-Elysee in Blog on June 1, 2010

I am officially obsessed with this trailer and anticipating this movie's arrival! Next to Inception, this may be my most anticipated.The first trailer that was released a lil' while back...

Oh, The Horror! #52: Carnival of Souls

Oh, The Horror! #52: Carnival of Souls

By Greg Anderson-Elysee in Blog on May 31, 2010

I love this movie. I really really do. And I really appreciate it the more I see it and the more I think about it. I remember thinking this movie was just bizarre when I saw it the first time but the more I thought about it, the more I loved it. Carnival of Souls, directed by Herk Harvey in 1963, is a horror cult classic. It is a very low budget film, being filmed with the budget of $33,000 and without much use of special effects, it's really the atmosphere and the use of mood that really helps this film pop.The film follows a young woman named Mary Henry (Candace Hilligross). She mysteriously survived a car accident in which her friends all died when their car sunk in a river after a drag race. We get an indication that Mary has changed since the accident as she decides to leave town and become an organist for a church at Salk Lake City. It is through her travels that we start to see her dilemma: she starts seeing a creepy looking man staring at her. As the movie goes on, Mary finds herself going crazy when whatever turn she makes, this spooky looking man just keeps popping out and walking towards her. It also gets even stranger when Mary starts walking around and tries to interact with people but instead is ignored, people around her being unable to see or hear her.There isn't too much to say about the plot. It is a relatively simple story but Harvey, who also plays the spooky spectre dude, does a great job in building tension and using simplicity to actually get you uneasy. There's some wonderful scenes throughout the movie of the Man just looking at Mary, just standing simply next to her with a small smile on his face that is so effectively creepy that you just can't help but enjoy this film. The music also helps too. Now there are some errors in this film, that mostly being sound errors. There are times when Mary's fingers on the key boards of the piano doesn't match the music playing nor when she's running does the sound of the clicking heels match, but those small little ticks adds some weird charm to this already weird film. Man, do I love these creepy old black and white horror movies. I watch films like this and just get inspired.

Oh, The Horror! #51: The Strangers

Oh, The Horror! #51: The Strangers

By Greg Anderson-Elysee in Blog on May 17, 2010

This film being Bryan Bertino's first theatrical directorial prosper shows a ton of promise within the horror realm. The movie stars Liv Tyler and Scott Speedman (glad to see he's still getting some work) as a couple dealing with their relationship after James (Speedman) proposes to Kristen (Tyler) but sadly gets a rejection. The two drive off to their summer home where it is awkward between them. When things finally start to look a bit better for the two, there's a knock on the door. "Is Tamara home?" asks a young woman at the door. After being sent on her way, James' character decides to take a drive in order to clear his mind while Kristen's character stays at the house... but she's not alone. "Is Tamara home?" girl shows up again and is then followed by a creepy man wearing a mask quietly stalking Kristen in the house. There are little subtle moments that add to the creepiness of this wonderful scene. Before James left, Kristen mentions that she was out of cigarettes, no cigarette in sight for her to smoke. After James leaves, Kristen is noticeably tense and picks up a cigarette not realizing it wasn't there before, adding a slight bit of uneasiness watching. Things also start to be revealed to have been misplaced and you see that creepy man standing somewhere in the background, still like a statue. Yeesh. Definitely my favorite scene in this whole film. When Kristen starts to realize something is wrong, she calls James back home and soon after starts to get terrorized by three different strangers, all making it seem pretty clear they're out to kill her. When James finally returns, he's added into the danger when he finds his car smashed in, and phone missing, leaving the couple vulnerable.The performances of the lead cast I felt were very strong and really added a lot to the overall film. Bertino also has a wonderful idea on how to build up tension and creepiness extremely well, a craft that seems to be missing in a lot of horror these days. Bertino adds just a right bit of pace, music, sound effects, and jump scares that's easy to get someone uneasy. Despite everything that's going for it, the film falls flat. The story could be a lot better and although you're finding yourself tense and hoping the couple make it out in the end, you're left wondering to yourself, "What's the point of all this? Why am I watching this?" While the pace of specific scenes are superbly used, the overall pacing of the story seems very off and is a bit discouraging. It makes me think about how much I enjoyed Vacancy over this film.Overall, if you're interested in seeing specific tense rising scenes, Bertino's clearly shows he understands the craft. You can check it out for that. If you're looking forward to see a solid story, something that will shock and get into your head, I wouldn't recommend this. I will say, though, this film does a lot better job in actually scaring you than the recent Saw and Hostel films. While you can see this film as a slasher film and there is some gore, its the uneasiness that works well and places itself in a higher position that the torture-porn films with almost to no substance.

Inception Trailer

Inception Trailer

By Greg Anderson-Elysee in Blog on May 8, 2010

New Christopher Nolan!!!

Apologies and a Street Fighter Video

Apologies and a Street Fighter Video

By Greg Anderson-Elysee in Blog on May 8, 2010

Man, I haven't been keeping this blog up to date for quite some time! Apologies for some of my readers. I've been so damn busy with school this semester, especially due to one class where we had to put on a show where I played the Devil, mwahahahaaa!!! Boy was that a freakin' blast. Working with everyone on the ensemble was just a wonderful blessing. I plan to post some pics/videos here when I can.For now, I'll post this fan film Street Fighter video I just stumbled onto it. Bloody bleedin' awesome!

Point Blank and The Hunter

Point Blank and The Hunter

By David Bird in Blog on May 1, 2010

(NOTE: There is some spoilage here. Not a lot, but you're forewarned.)This past week I was watching one of the great movies of the 60s, John Boorman’s Point Blank, starring Lee Marvin, Angie Dickinson, and Keenan Wynn; an adaptation of Richard Stark’s The Hunter. Marvin was one of Hollywood’s last tough guys. It’s a type of actor you just don’t see any more. During the 70s they were slowly displaced by the action hero, a friendlier, more widely appealing character. Sure they sometimes played comedic roles (Paint Your Wagon and Cat Ballou were two of Marvin’s better known ones), but they didn’t have jokes, or little kids to play off. They were tough guys. Irony free. This movie starts with him being betrayed by his wife and partner and being left for dead in a cell of the abandoned Alcatraz. Comic readers will be familiar with story from Darwyn Cooke’s Parker: The Hunter, an adaptation of the same novel and one of last year’s most successful graphic novels. I was one of maybe two people - I am sure I saw a less than happy review somewhere - who had any reservations at all. I just couldn’t get past having already seen a better version. As a director Boorman brought together the noir of the 40s and 50s with the experimentation of the 60s and 70s. As an actor Marvin embodied an implacable force - a demand for justice and retribution. My problems with Cooke’s Parker: The Hunter actually began with the cover. The girl looks too big and her body, visually cut in half by where Parker is sitting, seems askew. Trivial, maybe, but it left me starting the book thinking something might be… hinkey. My biggest problem with the comic, however, stems from something that probably isn’t even Cooke’s fault. I haven’t read Stark’s novel and I assume the differences between the film and the comic originate in the source material. In the movie Walker is betrayed by his wife and partner, who are also having an affair. In the comic, and presumably the novel, Parker was intending to betray his partner himself, but the partner got the drop on him, forcing Parker’s wife into the plot through some rather implausible circumstances. The difference? Where Walker was a victim, Parker is just a loser. An angry, driven loser, but a loser just the same. It takes the wind out of things. Why should I even care? Given that the book has the skills of one great cartoonist on display on every page, its definitely worth a look, but I can’t recommend it without reservations - unlike the movie, a classic every crime fiction fan should have in their library.This blog has been syndicated from David Bird's Eponymous Blog.


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Playlist:  Deep Blues Part 2 – Chicago & Beyond

Playlist: Deep Blues Part 2 – Chicago & Beyond

By in Blog on May 1, 2010

As a companion to my review of Robert Palmer’s book Deep Blues, I present part two of  two playlists.  Check out the first part via this link.  This playlist features music from Chicago and early Electric Blues artists including a few connections to early Rock N Roll and R&B.  The playlist is in pseudo chronological [...]


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Rave Ups:  Deep Blues by Robert Palmer

Rave Ups: Deep Blues by Robert Palmer

By in Blog on May 1, 2010

First of all, this book first published in 1981 was not written by Robert Palmer, the singer that brought you the hit song “Addicted to Love”.  The Robert Palmer that wrote this book was a distinguished music journalist from the 1970s to the 1990s.  He covered music for the New York Times, Rolling Stone, [...]


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Playlist:  Deep Blues Part 1 – Mississippi Delta to Chicago

Playlist: Deep Blues Part 1 – Mississippi Delta to Chicago

By in Blog on May 1, 2010

As a companion to my review of Robert Palmer’s book Deep Blues, I present part one of  two playlists.  Check out the second part via this link.  This playlist features music from the very earliest Delta and Country Blues artists with just a peak at the connection to Chicago.  The playlist is in pseudo chronological [...]


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The Wrasslin' Fan #4: The 2010 Draft

The Wrasslin' Fan #4: The 2010 Draft

By syxxpakk in Blog on April 26, 2010

ITB: CM Punk moves to Canada to avoid being drafted to RAW.


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2010 First Quarter Round Up and Playlist

2010 First Quarter Round Up and Playlist

By in Blog on April 11, 2010

Since I haven't had much time as of late to post content to this site, I thought I would do my best to give my readers a report on the last three months of music.  The releases listed below are not listed in any certain order.  NOTABLE RELEASES Artists: Album: Release Date: Label: Links: Beach House Teen Dream 1/26/2010 Sub Pop >Listen [...]


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Short Story

Short Story

By ZombieRed in Blog on April 7, 2010


The Human Centipede Trailer

The Human Centipede Trailer

By Greg Anderson-Elysee in Blog on April 3, 2010

Awww man, this trailer cracks me up. I may want to see this.

Oh, The Horror! #50: The Others

Oh, The Horror! #50: The Others

By Greg Anderson-Elysee in Blog on April 1, 2010

A movie I've been wanting to see again for years. I had only seen this movie once before and recall being absolutely amazed by it, from the quality of production to the performances to the ending. The ending is a fantastic modern classic twist if I do say so myself. Actually, the first time I seen this movie fully, I knew the twist because I walked in to the last 5 minutes of the film when it was in theaters when I was looking for my mother who was watching this film. But now that I finally own this film and watching it now with a clearer mentality and love for film-making and horror in general, this movie definitely still has and showcases the type of horror that I absolute love and strive to study and hopefully capture with my own art whether it be writing or filming.The movie stars Nicole Kidman as a stern and sometimes very cold mother named Grace. She is very hard on her children Anne (Alakina Mann) and Nicholas (James Bentley), constantly pushing the words of the Lord and Bible in their minds. She is also highly protective of them due to their disease of being photosensitive. If the sun were to hit their skin, they'd get a terrible allergic reaction and die. Therefore Grace makes sure to cover the whole house in curtains in safety of her children. While she is very strict, you still get a sense in every scene of the love and devotion to her children. Her husband has also been missing and declared dead from fighting in the war and all her servants have abruptly left the house. Grace ends up opening her house to three servants passing by. While very nice and charming, as the movie progresses you're not quite sure what exactly their motives are. Especially in connection to the strange occurrences in the house. Grace one day hears the sounds of a child crying. She rushes quickly to her children but neither of them admits to the tears. That is when Grace's daughter, Anne, brings up a boy named Victor, the name of a ghost in the house. Grace, a believer of the afterlife and her religious teachings, refuses to believe this and punishes her daughter until she herself begins to experience the occurrences. She is very tough as she tries her best to find out what is going on in the house and attempts to fight these unwanted ghosts out of the house while protecting her children and trying to keep her sanity.Director Alejandro Amenábar does a fantastic job guiding us through this psychological supernatural thriller. The atmosphere, tone, and mood set up since the very beginning is done beautifully and is compared well with the fantastic use of music, sound effects, and mixing. All the technical setups including seamless camera shots and editing really brings us to a very tight and coherent production. Combined with strong performances from the actors, the Others is overall a plain winner in my book. Very underrated, if you ask me. I also applaud the fact that I don't recall seeing any real CGI special effects. Nearly everything seen in the film seems very practical to shoot. It seems many people forget that you can easily get under people's skins and/or astonish them with just great use of camera work, tense shots and moments along with sounds and moving doors that you can simply have some one move with their hands while under the camera view, heh. If you have not seen this film, what are you waiting for?Originally Pubished at: Minds of Greg

Oh, The Horror! #49: Quarantined

Oh, The Horror! #49: Quarantined

By Greg Anderson-Elysee in Blog on March 28, 2010

Finally having seen this, this was probably the 4 or 5th time I've attempted to watch this movie and finally saw the whole thing. Not that the previous times I found it lacking or boring, I would just always fall asleep from tiredness or have been interrupted in someway shape or form. So finally about two months ago I was finally granted by the Fates to watch this film uninterrupted with the lights turned off with my wonderfully soft and warm cover. And wooo-boy was this fun! Now I have not seen the original but from what I hear, like nearly every remake, people were very annoyed that this film was made to begin with when you had the original titled REC from Spain. I've also read that both films are in fact nearly exactly the same, as the film seems to be a shot-by-shot recreation of the original. As someone who hasn't seen the original but only seen the remake, I have to say I'm definitely a fan and was entertained. I may have to look for the original to own if I found this remake so darn fun to watch.The movie is filmed in a "found footage" style, the style of Cannibal Holocaust, Blair Witch Project, and recently Paranormal Activity. The movie begins with reporter Angela Vidal (played by very believably by Jennifer Carpenter) and her camera man Scott Percival (Steve Harris) filming footage introducing us to their next assignment where they follow a group of firefighters for the night. Through interviews and b-rolls, we're introduced to different firefighters, Jake (Jay Hernandez) and Fletcher (Johnathon Schaech), showing them the ins and outs of the fire station. Angela, who mentions when she was a kid wanted very much to be a fire-fighter, is anxious to get a call to go out and get some action. Boy, does that "Be careful what you wish for" saying come true. The crew gets a call and they rush over to a three story building where it seems everyone's in a panic. We meet the various tenants in the building and a police officer, Danny (Columbus Short) who isn't happy one bit when Angela and Scott get in his face with their camera, especially after shooting to death a tenant about to rabidly attack him. Angela's night of excitement is quickly halted after seeing an old woman get shot to death. This is no longer a "fun, laughing" matter. Her world will completely be turned upside-down by the end of this movie. The building suddenly gets sealed up as the tenants, including the cops, fire-fighters, and news crew get trapped inside of the building by what seems to be the government, cutting off their cable and cell phones. This ends up causing the building to become a death trap as a weird virus begins to trigger the tenants, bringing them into a state of rage as if being affected by rabies and attacking each other. The bacteria seems to be spread through biting and any type of saliva and while people begin to get infected one-by-one, there's seems to be no way out of this whole nightmare.I absolutely enjoyed the heck out of this film. Having the film shot in found footage style really helps pull you into the action and it certain helps that the characters, actions, reactions, and decisions are entirely believable. None of the movements, specifically the camera, come out forced in anyway shape or form. It doesn't seem convenient that the camera was looking at a specific thing before an action took place. Cinematography through out was simply perfect. While I was enticed and having a ton of fun watching, as the movie progressed I really started to feel generally scared for the characters and would get annoyed when an infected character would come to cause terror. I laughed at how much I was into this film and I really wish I saw this in theaters to hear people shouting at the screen, "Run!" "Oh, you stupid bitch! Stop making noise!"Directed by John Erick Dowdle, if you haven't seen this film I'd definitely recommend it. I feel with all I've been reading and what I've seen of this film, the film itself was recommending me to be interested to see the original which I plan to do now. Also take note of Doug Jones being in the film! I love Doug Jones! Yes, I said Doug Jones, so if anyone's familiar with that name, you know for sure what kind of role he'll be playing and of course he's as creepy as ever. And major props goes to the lead, Carpenter. Is it safe to call her a new-aged Scream Queen after this and her Exorcism of Emily Rose role where she was also excellent in?Originally Pubished at: Minds of Greg

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