Monday, April 23, 2018 • Afternoon Edition • "Those who arrive survive. Maybe."

Dark City

Written by David Bird on Monday, October 24 2011 and posted in Blog
Dark City (1998)
Directed by Alex Proyas, Starring Rufus Sewell, Kiefer Sutherland, and Jennifer Connelly

I hadn’t watched Dark City in many years, when I decided to pop it in this week, and I wondered first of all if I would still in enjoy it as much as I once did. The film has had a devoted following amongst science fiction and fantasy fans since its release, though it wasn’t a box office success at the time (in spite of generally positive reviews). I had picked it up on VHS, but never upgraded my copy to DVD or Blu-ray (I rented a DVD copy).

The opening narration spills all the secrets: the Strangers are a dying race and studying us because they believe we may hold the key to their continued existence. John Murdoch wakes up in a hotel bath tub to find out he has no memories and that there is the body of a dead, carved up prostitute on the floor beside the bed. Fleeing the scene he is stopped by the clerk who tells him that the automat has called. He’s left his wallet there. The wallet leads him to his home, a wife who’s cheated on him, and a psychiatrist who’s been helping him deal with the breakdown of his marriage. If he’s off to a bad start, it only gets worse as he discovers strange powers and encounters the Strangers themselves, all while trying to figure out who he is and how to elude the police.

It’s at these times that the movie is strongest. Proyas has assembled a strong cast and the story works best when puzzling over koans like, how do you get to Shell Beach? But in the second half of the movie story development is given over to a series of chase and fight scenes (which largely translates into people staring really hard at each other) and it just isn’t as interesting. It rests on atmosphere and set design, which become somewhat repetitive after a while. I mean, how many noir-ishly lit streets does one need? In the end Sutherland’s character comes up with an impressive way to save the day, but it’s used to generate a conventional comic book ending (read: principle characters hitting one another).

A good movie if you’re looking for something different, or want to entertain a SF fan (though they’ve probably already seen it); but it’s an uneven film.

NOTE: This film shares with The Matrix the ideas that the world isn’t what it seems and that we’re being controlled by malevolent forces. Dark City was released first, thirteen months before the Wachowski Brothers film.

Originally Pubished at: David Bird


Help spread the word, loyal readers! Share this story on social media:

Comment without an Outhouse Account using Facebook

We get it. You don't feel like signing up for an Outhouse account, even though it's FREE and EASY! That's okay. You can comment with your Facebook account below and we'll take care of adding it to the stream above. But you really should consider getting a full Outhouse account, which will allow you to quote posts, choose an avatar and sig, and comment on our forums too. If that sounds good to you, sign up for an Outhouse account by clicking here.

Note: while you are welcome to speak your mind freely on any topic, we do ask that you keep discussion civil between each other. Nasty personal attacks against other commenters is strongly discouraged. Thanks!
Help spread the word, loyal readers! Share this story on social media:

The Outhouse is not responsible for any butthurt incurred by reading this website. All original content copyright the author. Banner by Ali Jaffery - he's available for commission!