Gregory Anderson-Elysee is a Brooklyn born and based filmmaker (director and editor), playwright, comic book writer, model, and part time actor. He was one of the first writers and interviewers of The Outhouse. He is the writer and creator of the upcoming book Is'nana the Were-Spider. He can be found on Twitter and Facebook.
Face To Greg reviews Radical Comics' City of Dust in time for 31 Days of Halloween - A Tribute to Genetic Freak!
I am officially obsessed with this trailer and anticipating this movie's arrival! Next to Inception, this may be my most anticipated.The first trailer that was released a lil' while back...
I love this movie. I really really do. And I really appreciate it the more I see it and the more I think about it. I remember thinking this movie was just bizarre when I saw it the first time but the more I thought about it, the more I loved it. Carnival of Souls, directed by Herk Harvey in 1963, is a horror cult classic. It is a very low budget film, being filmed with the budget of $33,000 and without much use of special effects, it's really the atmosphere and the use of mood that really helps this film pop.The film follows a young woman named Mary Henry (Candace Hilligross). She mysteriously survived a car accident in which her friends all died when their car sunk in a river after a drag race. We get an indication that Mary has changed since the accident as she decides to leave town and become an organist for a church at Salk Lake City. It is through her travels that we start to see her dilemma: she starts seeing a creepy looking man staring at her. As the movie goes on, Mary finds herself going crazy when whatever turn she makes, this spooky looking man just keeps popping out and walking towards her. It also gets even stranger when Mary starts walking around and tries to interact with people but instead is ignored, people around her being unable to see or hear her.There isn't too much to say about the plot. It is a relatively simple story but Harvey, who also plays the spooky spectre dude, does a great job in building tension and using simplicity to actually get you uneasy. There's some wonderful scenes throughout the movie of the Man just looking at Mary, just standing simply next to her with a small smile on his face that is so effectively creepy that you just can't help but enjoy this film. The music also helps too. Now there are some errors in this film, that mostly being sound errors. There are times when Mary's fingers on the key boards of the piano doesn't match the music playing nor when she's running does the sound of the clicking heels match, but those small little ticks adds some weird charm to this already weird film. Man, do I love these creepy old black and white horror movies. I watch films like this and just get inspired.
On the return of Face To Greg, I interview writer of Marvel's FrankenCastle, Doctor Voodoo, and Radical's The Last Days of American Crime and discussing writing his set of bad-ass heroes.
This film being Bryan Bertino's first theatrical directorial prosper shows a ton of promise within the horror realm. The movie stars Liv Tyler and Scott Speedman (glad to see he's still getting some work) as a couple dealing with their relationship after James (Speedman) proposes to Kristen (Tyler) but sadly gets a rejection. The two drive off to their summer home where it is awkward between them. When things finally start to look a bit better for the two, there's a knock on the door. "Is Tamara home?" asks a young woman at the door. After being sent on her way, James' character decides to take a drive in order to clear his mind while Kristen's character stays at the house... but she's not alone. "Is Tamara home?" girl shows up again and is then followed by a creepy man wearing a mask quietly stalking Kristen in the house. There are little subtle moments that add to the creepiness of this wonderful scene. Before James left, Kristen mentions that she was out of cigarettes, no cigarette in sight for her to smoke. After James leaves, Kristen is noticeably tense and picks up a cigarette not realizing it wasn't there before, adding a slight bit of uneasiness watching. Things also start to be revealed to have been misplaced and you see that creepy man standing somewhere in the background, still like a statue. Yeesh. Definitely my favorite scene in this whole film. When Kristen starts to realize something is wrong, she calls James back home and soon after starts to get terrorized by three different strangers, all making it seem pretty clear they're out to kill her. When James finally returns, he's added into the danger when he finds his car smashed in, and phone missing, leaving the couple vulnerable.The performances of the lead cast I felt were very strong and really added a lot to the overall film. Bertino also has a wonderful idea on how to build up tension and creepiness extremely well, a craft that seems to be missing in a lot of horror these days. Bertino adds just a right bit of pace, music, sound effects, and jump scares that's easy to get someone uneasy. Despite everything that's going for it, the film falls flat. The story could be a lot better and although you're finding yourself tense and hoping the couple make it out in the end, you're left wondering to yourself, "What's the point of all this? Why am I watching this?" While the pace of specific scenes are superbly used, the overall pacing of the story seems very off and is a bit discouraging. It makes me think about how much I enjoyed Vacancy over this film.Overall, if you're interested in seeing specific tense rising scenes, Bertino's clearly shows he understands the craft. You can check it out for that. If you're looking forward to see a solid story, something that will shock and get into your head, I wouldn't recommend this. I will say, though, this film does a lot better job in actually scaring you than the recent Saw and Hostel films. While you can see this film as a slasher film and there is some gore, its the uneasiness that works well and places itself in a higher position that the torture-porn films with almost to no substance.
New Christopher Nolan!!!
Man, I haven't been keeping this blog up to date for quite some time! Apologies for some of my readers. I've been so damn busy with school this semester, especially due to one class where we had to put on a show where I played the Devil, mwahahahaaa!!! Boy was that a freakin' blast. Working with everyone on the ensemble was just a wonderful blessing. I plan to post some pics/videos here when I can.For now, I'll post this fan film Street Fighter video I just stumbled onto it. Bloody bleedin' awesome!
Indie comics expert Greg reviews the latest from Outhouse favorite Nathan Edmondson!
Awww man, this trailer cracks me up. I may want to see this.
A movie I've been wanting to see again for years. I had only seen this movie once before and recall being absolutely amazed by it, from the quality of production to the performances to the ending. The ending is a fantastic modern classic twist if I do say so myself. Actually, the first time I seen this movie fully, I knew the twist because I walked in to the last 5 minutes of the film when it was in theaters when I was looking for my mother who was watching this film. But now that I finally own this film and watching it now with a clearer mentality and love for film-making and horror in general, this movie definitely still has and showcases the type of horror that I absolute love and strive to study and hopefully capture with my own art whether it be writing or filming.The movie stars Nicole Kidman as a stern and sometimes very cold mother named Grace. She is very hard on her children Anne (Alakina Mann) and Nicholas (James Bentley), constantly pushing the words of the Lord and Bible in their minds. She is also highly protective of them due to their disease of being photosensitive. If the sun were to hit their skin, they'd get a terrible allergic reaction and die. Therefore Grace makes sure to cover the whole house in curtains in safety of her children. While she is very strict, you still get a sense in every scene of the love and devotion to her children. Her husband has also been missing and declared dead from fighting in the war and all her servants have abruptly left the house. Grace ends up opening her house to three servants passing by. While very nice and charming, as the movie progresses you're not quite sure what exactly their motives are. Especially in connection to the strange occurrences in the house. Grace one day hears the sounds of a child crying. She rushes quickly to her children but neither of them admits to the tears. That is when Grace's daughter, Anne, brings up a boy named Victor, the name of a ghost in the house. Grace, a believer of the afterlife and her religious teachings, refuses to believe this and punishes her daughter until she herself begins to experience the occurrences. She is very tough as she tries her best to find out what is going on in the house and attempts to fight these unwanted ghosts out of the house while protecting her children and trying to keep her sanity.Director Alejandro Amenábar does a fantastic job guiding us through this psychological supernatural thriller. The atmosphere, tone, and mood set up since the very beginning is done beautifully and is compared well with the fantastic use of music, sound effects, and mixing. All the technical setups including seamless camera shots and editing really brings us to a very tight and coherent production. Combined with strong performances from the actors, the Others is overall a plain winner in my book. Very underrated, if you ask me. I also applaud the fact that I don't recall seeing any real CGI special effects. Nearly everything seen in the film seems very practical to shoot. It seems many people forget that you can easily get under people's skins and/or astonish them with just great use of camera work, tense shots and moments along with sounds and moving doors that you can simply have some one move with their hands while under the camera view, heh. If you have not seen this film, what are you waiting for?Originally Pubished at: Minds of Greg
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