Gregory Anderson-Elysee is a Brooklyn born and based filmmaker (director and editor), playwright, comic book writer, model, and part time actor. He was one of the first writers and interviewers of The Outhouse. He is the writer and creator of the upcoming book Is'nana the Were-Spider.
I Walked With a Zombie was a 1943 movie directed by Jacques Tourneur and produced by Val Lewton. A common thing about Lewton's films were that he had a title and had to make a story around that title. This was one of them. The movie is about a Canadian nurse, Betsy Connell (played by Frances Dee) who gets hired to watch over an ill woman named Jessica Holland (Christine Gordon), wife of Paul Holland, a sugar plantation owner in the Caribbean island of St. Sebastian. In the first night she meets Paul (Tom Conway) who warns her that the beauty she sees in this island is really misery and death, his brother Wes, Alma the maid, and Jessica who walks zombie-like to the protagonist at the dead of night frightening her and beginning the problem of the story. Betsy is told that a tropical fever had caused the strange case of Jessica's condition but underneath it may in fact be a supernatural cause to this. After a few nights of Jessica's condition not improving, Betsy becomes desperate and searches other means: finding a houngan, the local Vodou priest to help her recover. When she reaches the village, a mob of Vodou practitioners approach Jessica, stabs her with a sword and sees that she doesn't bleed, thus revealing her state as a zombie. This then leads to many other complications as the film goes on with Jessica's condition and a Vodou priest getting involved in trying to recover Jessica for whatever reasons.Now I will say that although not much happens in this movie, I had a delightful time watching it. It could be my bias as to my recent interest in the religion of Vodou, but I was intrigued into this film since the beginning till the end. The atmosphere and mood of everything was very chilling and engrossing. The characters all stood out very well, even if they weren't main characters. I especially loved the depiction of the black characters in the movie. For a film done in 1943, I was expecting some random offensive depictions, for example the maid and Vodou practitioners, but I was surprised to see them depicted quite well.A few aspects had caught me by surprise, though, that got me intrigued. One being the scene when Betsy travels with Jessica through a mysterious field to reach a Vodou ritual. As they move deeper and deeper, the scene gets creepier and creepier and very tense until we meet Carre-Four, an actual zombie who appears throughout the film in very creepy fashion. The scene caught me entirely off guard and would scare the living hell out of me if I were in her shoes. But the thing that got me was that Carre-Four was explained to be a guardian of the crossroads and that you wouldn't be able to pass through him without a Vodou badge, which Betsy had lost on her way there. Carre-four just walks away, letting them pass. After that, we see Carre-Four being controlled by a Vodou priest to retrieve Jessica. Now what got me questioning this was that ever since hearing "Carre-four" was in this movie, I was expecting to see "Kalfu" which was pronounced the same. Kalfu in the Haitian Vodou religion is a god and not someone to mess with, the Lord of crossroads and known as the grand daddy of sorcery and black magic while he allows bad luck and destruction. There was no way in hell Kalfu would allow a Vodou priest to control him as a zombie. It was until I did a bit of research of the movie and saw the name was used mostly as a nod to him. I will say, though, Carre-Four was creepy as all types of hell in this movie. Especially when he creeps towards us, arms wide-open... sheesh!Another scene I especially loved was when Betsy found the village and the locals were singing in actual Haitian dialect. That made me proud, oh yes, especially hearing that the film-makers did a big bunch of research, even hiring actual Vodou practitioners and Vodou musicians. But something did get me later... the use of a Vodou doll. So I'm guessing it was this film that gave Vodou dolls a bad name, huh? The Vodou priest begins to use a Vodou doll to control Jessica and later causes things to happen while in control of her. Now, from what I understand, Vodou dolls have nothing to really do with Haitian Vodou but with Louisiana Vodou and is actually used to bless and protect people, not control or do harm. Thanks, Hollywood. Heh.So yes, throughout the movie, there is a constant sense of questioning where all this is going to go. You're not too sure which characters will do what or how they'll act out through the movie. There's simply a sense of not knowing anything, who's to blame, who's the villain, etc. That definitely gives the movie a big plus from me with the ambiguity as questions are left unanswered in some way despite there being... well, let me stop before I spoil something. But overall, definitely watch this movie. I especially loved the depiction of zombies- not the cannibalistic superhuman monsters we're used to now, but the monsters that are easily controlled and aren't too frightening, but you sure as hell don't wish it to happen upon you. Although Carre-Four is scary as fudge. Watch this for Carre-Four!edit: Oh yes, I also read that the Saw creators are planning on remaking this movie... WHY?!? PLEASE DON'T!!! NO!!!!
"Icon is that rarest of creatures -- a well-told adventure story that achieves genuine political depth. Highly recommended."-Alan Moore (writer of WATCHMEN)ICON: A HERO’S WELCOME TP NEW PRINTINGWritten by Dwayne McDuffieArt by M.D. Bright and Mike GustovichCover by Denys CowanThe flagship character from Milestone Comics is back in this new printing of the classic title collecting Icon #1-8. This is the title that introduced Augustus Freeman, a successful lawyer who covertly uses his alien super-powers to help those in need. But when a teenaged girl from the streets convinces him to use his abilities to inspire his people and becomes his sidekick, Rocket, the affluent Augustus embraces his true destiny and becomes Icon, the hero of Dakota.Advance-solicited; on sale September 30 • 192 pg, FC, $19.99 US
For this semester in school, I enrolled in a film class showcasing horror movies by Val Lewton and Jacques Tourneur. The first movie we watched was 1942's Cat People. It was directed by Tourneur and produced by Lewton. The movie stars Simone Simon as Irena Dubrovna and Kent Smith as Oliver Smith. The film focuses on these two stars as they play a couple who meet at a zoo, fall in love, and get married. But there lies a problem. A problem in which Irena fears that if there were any moment of passion, even a slight kiss, she would turn into a cat and kill her lover, a curse that was passed on in her old village of Serbia. Oliver struggles to love Irena as he continues to try to convince her that it's all in her mind while Irena pleads against it and grows jealous of her husband's budding friendship with co-worker Alice, played by Jane Randolph. Tom Conway plays Dr. Louis Judd, a psychiatrist who tries to help Irena get through her fears but also starts to develop feelings for her.A continuing point that gets made in my class, starting from the supernatural class I took over the past summer, was that horror - usually films of the supernatural - dealt with the eruption of the repressed, usually sexuality. This is showcased in films like The Innocents (my favorite horror film) and also in this movie. In this movie, if Irena's frigidity or passion is unwrapped, the horror comes out. Underneath, this film is about a woman unable and afraid to express and develop her sexuality. This is one plot point that makes it a very interesting movie to watch, as we begin to wonder if Irena isn't in fact crazy.This wasn't my first time watching this movie. I had seen it previously during the summer and wasn't entirely sure how I felt about the movie. To me it was very slow but I did enjoy parts with Irena freaking out and her scenes with animals who all seem to have a sixth sense and would react wildly around her. One particular scene with a canary gets a good chuckle out of me and people who watch it. Second time watching, while I still felt was a little slow, I was more into the movie. Despite having over 90% over at Rotten Tomato, I do feel that watching this film may be a required taste for people use to watching movies of the now. But who knows, maybe there are some who'd enjoy it. Though I'm not too sure who among my friends would sit through it.Another note about the movie: it was the first to use the horror technique bus. From wiki..."Lewton and his production team claim credit for inventing the popular horror film technique called the "bus". The term came from the scene where Irena is walking behind Alice; the audience expects Irena to turn into a panther at any moment and attack her. At the most tense point, when the camera focuses on Alice's confused and terrified face, the silence is shattered by what sounds like a hissing panther—but it is a bus pulling over to pick her up. After the excitement dies down, the audience is left uncertain whether anything supernatural or life-threatening actually happened. This technique has been adapted into a great many horror movies since then. Anytime a movie creates a scene where the tension rises and dissipates into nothing at all, merely an empty boo!, it is a 'bus'."Nice.
Preview art from the upcoming Olympus #4 from Image Comics, by Nathan Edmondson and Christian Ward.
Wow, did I have a good time watching this movie. This is a movie I've been wanting to see for years but never to any avail. I this past weekend I caught this with my brother and god-brother after watching Blacula also for the first time and felt this movie lived up to my expectations. Yet at the same time I didn't know much of what to expect with this movie. I just knew I'd be into it due to Gary Oldman playing Dracula and Anthony Hopkin as Van Helsing. Get Winona Ryder as Mina Murray to round off the ensemble cast and sexy Monica Bellucci as one of Dracula's three brides. The movie begins in the past during the Turkish invasion where Vlad The Impaler (Oldman) defeats the invasion to come back and find his wife (Winona Ryder) had committed suicide after false news of her husband's death. Vlad, feeling betrayed by God after fighting for his cause and finding out his wife's soul was damned to hell, curses Him and the church and swears the rise up with all the powers of darkness.Centuries pass and Jonathan Harker, a law clerk played HORRIBLY by Keanu Reeves, travels to Transylvania to Count Dracula's castle to arrange the transfer of Carfax Abbey in London, Dracula's current real estate acquisition. During Harker's stay at the castle is where I really fall for the movie. Shadows of Dracula never match the vampire himself, often moving slowly or making a violent movement among many strange things. The visuals of this movie are astounding and really gets you on the edge. Just for the visuals alone you can't help but fall in love with the movie. As the stay progresses, Dracula sees a picture of Harker's beautiful wife, Mina Murray, who looks exactly like Dracula's deceased wife. As Dracula plots to go to London in search of Mina, Dracula's three wives feed on Harker and force him into intercourse, leaving him too weak to escape. The scenes with the vampire brides are also very beautifully done.When Dracula arrives in London, he meets Mina, falls in love with her, and effectively seduces her. At the same time, he also entices Mina's best friend, Lucy, turning her into a vampire and leading the other characters of the movie to take notice of this strange occurrence going on and thus introducing us to Van Helsing, played bad-assly by Sir Anthony Hopkins. The scene where Lucy gets glamored by Dracula as she travels through a maze in search of him with her long red dress flowing in the windy night once again strikes you as amazing and just entices you to keep watching. The scene goes into a shocking climax when Lucy is found having sex with a humanoid wolf.Now as I may praise this film, there are aspects of it where I felt could have improved. The plot seem to move very fast and there really was no moment to breathe. The movie progressed fast and got stranger and stranger, but not enough to have you fall off. In a way, I felt the movie could have been longer to help develop some more, but overall the movie itself was a good winner. The ensemble cast, besides Keanu Reeves in his worst performance EVER, were all great in their roles, Oldman definitely taking the title role and having you care for him despite being the villain and Sadie Frost playing the flirtatious and dangerous Lucy. I'd definitely recommend this movie to any horror fan with an eye for visual beauties. As stated before, the visuals along are enough to watch and enjoy the movie. The make-up for the vampires, most particular Oldman as an old and pale and beautifully ugly creature is massively impressive. Overall this movie was very much like watching someone take full advantage of all the resources and money to make a childhood dream film.Directed by Francis Ford Coppola.
Directed by Mike Johnson and Tim Burton, The Corpse Bride is a fantastic stop-motion film filled with wit and eye-popping fun. The movie takes place in a Victorian era town where a young and shy young man named Victor, a fish merchant's son, is arranged to get married to Victoria, the daughter of soon to be penniless aristocrats. Both are worried of meeting each other in fear that they wouldn't like each other but hit it off rather well as compared to their parents respectively. During their wedding rehearsal, Victor stumbles upon his vows and accidentally sets Victoria's mother's dress on fire. He is threatened by the pastor to learn his vows, setting Victor off to run away into the woods to practice his vows. Suddenly, he recites it perfectly with a new sense of confidence and places the ring onto a stick resembling a hand, only for the hand to grab Victor's arm and reveals itself to be the hand of a corpse. Frightened, Victor attempts to run away to safety only to be followed in an extremely well down scene which would scare the hell outta me if I were in his shoes. The corpse takes Victor to the Town of the Dead where, well... every one's dead. And as compared to everyone living, they're happy. Here we learn the back-story of the Corpse Bride, named Emily, and of her "fate" to be set free when she finds her truly love, this being Victor. Thus introducing us to the problem of the film for our protagonist: Does he pick Victory or does he stay with Emily, who unlike a real corpse is very clever, funny, free-spirited, and beautiful.Voicing Victor is Burton's main man, Johnny Depp, who gives a wonderful performance as the clumsy protagonist in love with Victoria, voiced by Emily Watson. Helena Bonham Carter voices the titled character and we're rounded off by other cast favorites the likes of Albert Finney as Victoria's father, Michael Gough as Elder Gutknecht the elderly skeleton with knowledge of magic, and Christopher Lee as Pastor Galswells. For me, though, it's definitely Lee and Gough who steal the show. It's a ton of fun seeing old school horror alumnus voicing such hilarious characters, their voice being extremely recognizable that I have to have a smile on my face, especially when Gough recites the line, "Now, why go up there when people are dying to get down here? " which never fails to get a chuckle from me.The animation is amazing. Every time I watch this movie I'm amazed at just how far stop-motion filming has come. I stated before back in my Coraline review that I tend to prefer stop-motion animation over plain old CGI film-making and it's because it seems to have this really raw and gritty feel to it. It feels a bit more real to me in a sense. The colors in this movie, although low-key, really help put you into the movie too. Especially when you get to the Land of the Dead. The Land of the Dead is vibrant and always has skeletons ready to have a blast singing a song as compared to the Land of the Living where everyone is slow and dull and the lighting is bland. It's extremely entertaining watching all the civilians of the Dead town getting excited and ready to throw a party over a new arrival. And speaking of song, who doesn't love Bonejangles song about how Emily came to be the Corpse Bride, The Remains of the Day? That specific song number is enough to watch the film. Danny does a great job with the raspy jazzy skeleton who loves a woman with meat on her bones. I have to say, though, besides that song, the other numbers aren't quite as memorable. Especially compared to the wonderfully memorable tunes of The Nightmare Before Christmas. When one starts watching this movie for the first time, they can't help but start comparing both films. I will say, though, try your best not to. When I first watched this movie, I couldn't get into it because it wasn't The Nightmare Before Christmas. When I watched it again, this time seeing it as it's own movie, I enjoyed it immensely.From watching this film you could tell every one probably had a great time. And it helps as it's a really enjoyable film. I was able to talk my mom into watching this movie as she tends to disregard films of this nature and she caught herself really getting into it and finding a lot of scenes hilarious. It's in fact a fun family movie, although I have a feeling some parents, particular with strong Christian faith may not want their child seeing a film of this nature. Just my two cents with that. Only real complaint from me was that I felt it could have been a longer film. Would have enjoyed more fun, but hey. You get what you get, least it was entertaining.
Once again I complain about the claims of racial agendas, this time with contrived homos! Hey look, gay and black superhero Josiah Power!
From the creator of Juno...
Do you want to know what rocked last month? Image's Olympus #1! If you haven't picked up the issue, you've done yourself a great disservice. Today we have a 5 page preview of issue 2. Come see what you're missing...
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